speak spanish colleziona un gruppo di danze locali, osservate dal tavolino di un ristorante per turisti in un luogo qualsiasi del pianeta. Ogni coreografia introduce sistemi dinamici 'propri', ma è anche una maniera grossolana di infierire sulle presenze corporee che li incarnano. Una sorta di sonoro stordimento, familiare a chi si lancia nel parlare una lingua straniera per un tempo considerevole. Dinamiche binarie, folklore hawaiano e attitudini da concerto rock: si tratta di un viaggio anonimo, dal quale è bandita ogni avventura, se si eccettua il brivido della prenotazione.

Let's dance NO put on your red shoes NO and dance the blues YES
Let's dance NO to the song they're playin' on the radio NO
Let's sway YES while colour lights up your face NO
Let's sway YES sway through the crowd to an empty space YES
If you say run, I'll run with you NO
If you say hide, we'll hide YES
Because my love for you NO
Would break my heart in two NONO
If you should fall YES
Into my arms NO
And tremble like a flower NO
Let's dance NO for fear your grace should fall NO
Let's dance NO for fear tonight is all YES
Let's sway YES you could look into my eyes NO
Let's sway YES under the moonlight, NO this serious moonlight YES
If you say run, I'll run with you NO
If you say hide, we'll hide YES
Because my love for you NO
Would break my heart in two NO NO
If you should fall YES
Into my arms NO
And tremble like a flower NO
Let's dance NO put on your red shoes NO and dance the blues YES
Let's dance NO to the song they're playin' on the radio NO
Let's sway YES you could look into my eyes NO
Let's sway YES under the moonlight, NO this serious moonlight YES

con Philippe Barbut, Biagio Caravano e Michele Di Stefano
creazione e produzione mk09

speak spanish collects a bunch of local dances, as seen from the table of a touristic restaurant anywhere. They all introduce a proper choreographic system, but also a gross way of cracking it in terms of presence and bodily conditions. It's maybe the same sort of sound lag perceived while speaking a foreign language for the third time. Binary dynamics, Hawaiian folkore or rock attitudes contribute to invent the map of an anonimous journey in which any adventure is excluded, except the thrill of booking it.

Let's dance NO put on your red shoes NO and dance the blues YES
Let's dance NO to the song they're playin' on the radio NO
Let's sway YES while colour lights up your face NO
Let's sway YES sway through the crowd to an empty space YES
If you say run, I'll run with you NO
If you say hide, we'll hide YES
Because my love for you NO
Would break my heart in two NONO
If you should fall YES
Into my arms NO
And tremble like a flower NO
Let's dance NO for fear your grace should fall NO
Let's dance NO for fear tonight is all YES
Let's sway YES you could look into my eyes NO
Let's sway YES under the moonlight, NO this serious moonlight YES
If you say run, I'll run with you NO
If you say hide, we'll hide YES
Because my love for you NO
Would break my heart in two NO NO
If you should fall YES
Into my arms NO
And tremble like a flower NO
Let's dance NO put on your red shoes NO and dance the blues YES
Let's dance NO to the song they're playin' on the radio NO
Let's sway YES you could look into my eyes NO
Let's sway YES under the moonlight, NO this serious moonlight YES

with Philippe Barbut, Biagio Caravano, Michele Di Stefano
concept and production mk09